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Archive for January, 2009

Take the amp sim test

Tuesday, January 27th, 2009

Guitar Rig 3Electronic Musician have a very interesting article up comparing real guitar amps versus their software pretenders. Basically, they got a few classic amps in a studio and knocked up their equivalent patches in a few different software amp sims, before presenting the lot in a blind test to a few ‘name’ producers. The results are interesting, the take-home message of which is it is pretty much impossible to reliably distinguish an amp sim from the real thing. In addition, even if you spot it the amp sim may give you a ‘better’ or more useable sound, not to mention all the benefits of total recall and all that jazz. If you’re not convinced, check out the listening test and see if you can spot the real amp. The experiment is described here, and you can check out some discussion about the results in a video.

The audio gear industry is chock-full of opinion and ‘wisdom’ rarely based on hard evidence. This kind of testing really appeals to the scientist in me, as did the Focusrite Liquid Mix Challenge. At the end of the day if it sounds good it is good, whether it’s vintage valves or the latest DSP, and you should always be open to having your preconceptions challenged.

Cubase 5 revealed

Thursday, January 15th, 2009
Cubase 5

Cubase 5

Yup, it’s time to decide how brave you’re feeling and to maybe climb onto that upgrade ladder once again. Cubase 5 is coming with a load of new features designed to separate you from your beer money. In a nutshell, here are some of the highlights:

  • Loopmash - a plug-in multi-track loop mixer / combiner thingie.
  • Groove Agent One - a built in drum-machine / sample trigger.
  • Beat Designer - a step-based rhythm programming tool.
  • VariAudio - offline (in the wave editor) vocal tuning a la Autotune / Melodyne with time-stretching tools. Looks cool!
  • PitchCorrect - a realtime pitch-correction plug-in.
  • REVerence - a built-in convolution reverb plug-in complete with over 70 impulses. Nice.
  • Better automation and midi controller data handling.
  • VST Expression - tools to ease the pain of working with sample libraries with multiple articulations.
  • 64 bit compatibility for Vista, lifting the 2GB limit!
  • Total Export - track export selection options. Should be great for creating stems.

In all it looks like a fairly significant update, and it seems the tie-up with Yamaha has certainly yielded some fruit in the area of effects processing. Of course history tells us you’re a brave person to dive-in with a first release, but give it a few months (ok, maybe a few more than that) for the bugs to be ironed out and it may be an attractive upgrade. That attractiveness will probably depend on whether you already own plug-ins that do the job of many of the new features, or if you’re a ‘beats and loops’ kinda guy/gal (I’m not).  You can check out a video of Cubase 5 in action from NAMM 2009 at AudioFanzine.

Update: Cubase 5 will cost £544.13 new, or £180.77 as an upgrade from Cubase 4 or, bafflingly, Cubase SX3. As a reasonably recent Cubase 4 owner that feels like a bit of a raw deal. Details in the Steinberg shop, or get it for cheaper at Dolphin.

Guitar Rig 3 updated to v3.2

Wednesday, January 14th, 2009

Guitar Rig 3.2Native Instruments have announced the release of Guitar Rig 3.2 Update. Most of the update is around 64bit compatibility for Vista users, but there are a few minor feature updates too, including a MIDI input filter. I’m hoping the latter might allow me to correct the expression pedal input when using the wah wah (I’m using a Boss EV-5), as at the moment it’s backwards. I actually just got Guitar Rig 3 a couple of weeks ago. It still has, to my ears, noticeable digital artifacts on some distortion sounds, but there’s a lot of power under the hood for tweaking and the range of effects on-tap is fantastic.  As ever, the presets don’t really do the software justice. For clean sounds I have no hesitation in using GR3 straight, but for more exposed dirtier sounds I’m currently experimenting with disabling the software speaker simulator stages and outputting the feed into the effects return of a Trace Elliot 2×10 combo, which is then mic’d up in the traditional manner. Initial results are encouraging - it’s one way of losing that subtle high-frequency fizz which is so often an amp-sim give-away, whilst still being able to take advantage of the great range of different amp flavours on offer. Oh yes, and you’ll definitely want to engage the ‘HiQ’ button whenever you use Guitar Rig 3 - the improvement in sound quality is noticeable.

Bye bye DRM

Wednesday, January 7th, 2009

The death of DRMIn what must surely sound the death knell for Digital Rights Management as we know it, Apple have announced the ditching of DRM protection on music bought through their iTunes store. DRM is the mechanism that prevents you copying downloaded music onto the device of your choice, and is a huge disincentive for the more technically-astute to buying from places like iTunes. As a piracy prevention measure it never achieved anything but the inconveniencing of those that actually did choose to pay for their music.  I doubt I’ll ever bother to download and install iTunes anyway, especially after using Amazon’s MP3 Store for the first time over Christmas. They boast 4 million tracks in 256Kbps MP3 format, with no DRM or bulky client software to install (there is a small download helper app which seems harmless enough), and my experience of the whole buying process was very smooth. I am very much enjoying my purchase too - a lesson in music production parody!

Update: It appears that DRM-free MP3 files downloaded from iTunes can still be linked back to the purchaser by way of an email address embedded in the file.  Is that a form of Digital Rights Management? It doesn’t seem to have been used as such in the past, but who knows how this trackable tag may be used or abused in the future. However, if you only use the music for personal and non-commercial use as per the licencing agreement you should have little to worry about.

epicVerb released

Tuesday, January 6th, 2009

Following on from my last post, I’m happy to report the official release of epicVerb. The great news is that it is free!

The epicVerb interface

The epicVerb interface

My preferred freeware (ok, nagware) reverb up until now has been the excellent Ambience, but judging from the demos I think epicVerb may have a stab at the top spot. Its tails sound smooth and natural, without metallic ringing or other obvious artifacts found on many simpler reverbs. I can’t wait to load it up in Cubase and see what it can do.